Alston, A. (2023) Staging Decadence: Theatre, Performance and the Politics of Excess. London: Bloomsbury.
 

Bishop, C. (2012) Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso.
 

Bowery, L. (2025) Leigh Bowery Exhibition. [Exhibition]. Tate Modern, London. Visited 21 July 2025.
 

Brown, a.m. (2019) Pleasure Activism: The Politics of Feeling Good. Chico, CA: AK Press.
 

Clark, M. (1984) ‘The YES Manifesto’. [Manifesto].
 

Creed, M. (n.d.) Everything Is Going To Be Alright. [Installation]. Viewed 2025.
 

Dolan, J. (2005) Utopia in Performance: Finding Hope at the Theater. Ann Arbor: University of Michigan Press.
 

Ehrenberg, S. (2023) ‘Reflections on reflections: mirror use in a university dance training environment’, Research in Dance Education, 24(2), pp. 127–142.
 

Muñoz, J.E. (2009) Cruising Utopia: The Then and There of Queer Futurity. New York: New York University Press.
 

Kuenzle, D. (2018) ‘John Stuart Mill’, in Pleasure: A History. New York: Oxford University Press.
 

Rancière, J. (2009) The Emancipated Spectator. London: Verso.
 

Rodosthenous, G. (ed.) (2015) Theatre as Voyeurism: The Pleasures of Watching. Basingstoke: Palgrave Macmillan.
 

The Flanagan Collective & Gobbledigook Theatre (n.d.) The Gods The Gods The Gods. [Performance]. Viewed date unknown.